The Anna Mary Letters to Hans Christian Andersen

The Anna Mary Letters to Hans Christian Andersen

                             by Stephen Gray

    I.                                    Ulva Cottage

                                           Hamilton

                                           Scotland

                                           1 January 1869

Dear Mr. Anderson.  My name is Anna Mary.

Last-born of Mary my mother, deceased

Of the desert fever while I was but a 'wee bairn'; 

I am but ten, too young to remember her voice.

I do like your fairy tales so much -- the tin soldier and the ugly,

Ugly duckling.  I would like to go and visit you.

When Papa comes home from Africa I intend

To ask him to take me.  I live where he began

As a piecer of cotton, threading those bales . . . 

Long enough to join us over six thousand miles;

What with the water-thrust and water-damp 

The Clyde is perfect for the manufacture of cloth;

Without cotton my dolly'd have no clothes.

I'm sure he will agree.  In the New Year.

  II.                                        17 June 1871

Four of his children in this cottage on the Clyde; good and damp

Enough to drive the cotton, even if it's not Victoria Falls.

I send you the photo of my Papa and me:

His arm is about me and mine about my dolly.

I would like you to notice my hoop-skirt and pantaloons,

But not my face and hair scooped away, ugly still;

Papa draws back breath and calls me 'sprightly' now;

If you ask me he's forgotten the meaning of his own hearth;

He says we're sickly and weak, bad seed,

But he's the one won't kiss for bad teeth, rotten tongue;

He was born here, he should know; we were born

In the wildest desert so generous, where a man may breathe indeed.

He said bright Denmark was out of the qustion:

Only dark Africa calls, where he may make himself

A paradise away from this, his woven wet hell.

  III.                                      24 September 1874

O Hans Andersen, You will have seen from the papers

How the tale has no magic ending for us, quack quack.

My father is the one Mr. Stanley found out there

And he could not persuade him to return to us.

Robert's gone, Thomas and Ossie too --

Poor seed, this little mermaid never will swim;

What great, great sorry I have had this year.

I did expect Papa to take me to your Copenhagen.

Instead of going the different places I fully intended

With Papa, I have been obliged to take the sad journey to London

To see what's left of him buried in Westminster Abbey.

We had all wreaths of full white flowers

To lay on his coffin; our Queen sent one too

From out of her palace with deepest regrets.

I am the only one of our seed left alive now'

We shall be threadbare, me and my toy;

Don't you think flowers are so beautiful,

Ice-white and wound in a heart --

The shape of the continent where his lies?

  IV.                                          30 October 1874

Back at our industrious Blantyre:

Papa's two faithful servants were here last week

To visit me.  Many interesting things they told

About Papa and one of them, called Chuma, made

A model grass hut in which he placed my doll

As an example, to show the position where

Father knelt and died; and Susi endlessly

Fussed with the bed to get it exactly correct.

Quack quack, my dear.  What else can I say?
Susi says they brought his remains back from Ilala

Only to prove to the consul at Zanzibar no black man

Poisoned him; he died of his own disease.  Tin god.

You're the one who understands

And I am your sincere friend. 



From the London Review of Books, 28 January 1993.

The correspondence between Anna Mary Livingstone and Hans Christian Anderson extended over five years.  Thirteen letters remain.

A Dance to the Music of Time

A Dance to the Music of Time, Nicholas Poussin, ca. 1638.

August à la Poussin

                  by Louis MacNeice

The shutter of time darkening ceaselessly

Has whisked away the foam of may and elder

And I realise how now, as every year before,

Once agan the gay months have eluded me.

For the mind, by nature stagey, welds its frame

Tomblike around each little world of a day;

We jump from picture to picture and cannot follow

The living curve that is breathlessly the same.

While the lawn-mower sings moving up and down

Spirting its little fountain of vivid green,

I, like Poussin, make a still-bound fête of us

Suspending every noise, of insect or machine.

Garlands at a set angle that do not slip

Theatrically (and as if forever) grace

You and me and the stone god in the garden

And Time who also is shown with a stone face.

But all this is a dilettante’s lie.

Timés face is not stone nor still his wings,

Our mind, being dead, wishes to have time die

For we being ghosts cannot catch hold of things.

Wolf

  Piere Vidal

               by W. S. Merwin

 

I saw the wolf in winter watching on the raw hill
I stood at night on top of the black tower and sang
I saw my mouth in spring float away on the river
I was a child in rooms where the furs were climbing
and each was alone and they had no eyes no faces
nothing inside them any more but the stories
they never breathed as they waved in their dreams of grass
and I sang the best songs that were sung in the world
as long as a song lasts they came by themselves to me
and I loved blades and boasting and shouting as I rode
as though I was the bright day flashing from everything
I loved being with woman and their breath and their skin
and the thought of them carried me like a wind
I uttered terrible things about other men
in a time when tongues were cut out to pay for kissing
but I set my sail for the island of Venus
and a niece of the Emperor in Constantinople
and I could have become the Emperor myself

I won and I won and all the women in the world
were in love with me and they wanted what I wanted
so I thought and every one of them deceived me
I was the greatest fool in the world I was the world’s fool
I have been forgiven and came home as I dreamed
and have seen them all dancing and singing as the ship came in
and I have watched friends die and have worn black and cut off
the tails and ears of all my horses in mourning
and have shaved my head and the heads of my followers
I have been a poor man living in a rich man’s house
and I have gone back to the mountains and for one woman
I have worn the fur of a wolf and the shepherd’s dogs
have run me to earth and I have been left for dead
and have come back hearing them laughing and the furs
were hanging in the same places and I have seen
what is not there I have sung its song I have breathed
its day and it was nothing to you where were you.

Piere Vidal Old

 

                   by Ezra Pound

When I but think upon the great dead days
And turn my mind upon that splendid madness,
Lo! I do curse my strength
And blame the sun his gladness;
For that the one is dead
And the red sun mocks my sadness.

Behold me, Vidal, that was fool of fools!
Swift as the king wolf was I and as strong
When tall stags fled me through the alder brakes,
And every jongleur knew me in his song,
And the hounds fled and the deer fled
And none fled over long.

Even the grey pack knew me and knew fear.
God! how the swiftest hind's blood spurted hot
Over the sharpened teeth and purpling lips!
Hot was that hind's blood yet it scorched me not
As did first scorn, then lips of the Penautier!
Aye ye are fools, if ye think time can blot

From Piere Vidal’s remembrance that blue night.
God! but the purple of the sky was deep!
Clear, deep, translucent, so the stars me seemed
Set deep in crystal; and because my sleep
Rare visitor came not, the Saints I guerdon
For that restlessness Piere set to keep

One more fool's vigil with the hollyhocks.
Swift came the Loba, as a branch that's caught,
Torn, green and silent in the swollen Rhone,
Green was her mantle, close, and wrought
Of some thin silk stuff that's scarce stuff at all,
But like a mist where through her white form fought,

And conquered! Ah God! conquered!
Silent my mate came as the night was still.
Speech? Words? Faugh! Who talks of words and love?!
Hot is such love and silent,
Silent as fate is, and as strong until
It faints in taking and in giving all.

Stark, keen, triumphant, till it plays at death.
God! she was white then, splendid as some tomb
High wrought of marble, and the panting breath
Ceased utterly. Well, then I waited, drew,
Half-sheathed, then naked from its saffron sheath
Drew full this dagger that doth tremble here.

Just then she woke and mocked the less keen blade.
Ah God, the Loba! and my only mate!
Was there such flesh made ever and unmade!
God curse the years that turn such women grey!
Behold here Vidal, that was hunted, flayed,
Shamed and yet bowed not and that won at last.

And yet I curse the sun for his red gladness,
I that have known strath, garth, brake, dale,
And every run-away of the wood through that great
     madness,
Behold me shrivelled as an old oak's trunk
And made men's mock'ry in my rotten sadness!

No man hath heard the glory of my days:
No man hath dared and won his dare as I:
One night, one body and one welding flame!
What do ye own, ye niggards! that can buy
Such glory of the earth? Or who will win
Such battle-guerdon with his 'prowesse high' ?

O age gone lax! O stunted followers,
That mask at passions and desire desires,
Behold me shrivelled, and your mock of mocks;
And yet I mock you by the mighty fires
That burnt me to this ash.

Ah! Cabaret! Ah Cabaret, thy hills again!

Take your hands off me! . . . [Sniffing the air.
Ha! this scent is hot!

Olympics: For Theron of Akragas

For Theron of Akragas,
Winner in the Olympic chariot-race, 476 BC

                                    by Cameron Hawke Smith

                                     Herakles in pursuit of the doe
                                     with the golden antler
                                     came to the land
                                     beyond the north wind's home

                                     and wondered
                                     at the forest of dark green
(for which there is no word in Greek)
and the round eye of the moon
gazed at him

a sweet urge came upon him
to fetch that primal greenness
and make shade for the racetrack

where the garden
with the consecrated altars of Zeus
was naked of trees and exposed
to the sun's caustic rays

and now athletes
hot from the chase
and crowned
by the Arbiter of Games
carry that forest on their victors' heads

For Theron of Akragas,
Winner in the Olympic chariot-race, 476 BC

Olympian 3

                                  by Pindar 

 1. I aim to please the guest-loving tydarids,

     golden-haired Helen, too,

while I pay honor to famous Akragas and

rouse up for Theron the hymn of Olympic victory owed to the tireless

hooves of his team! Once more the Muse

     stands at my side as I search out a

new-fashioned mix of Dorian dance with

voices that celebrate triumph.  Crowns

    fixed in my hair mark a

ritual duty of joining the elegant

tones of the lyre with a shout from the pipe and a pattern of

   words in due praise of

Hagedisamos' brave son, and

   Pisa commands me as well.  Songs

travel from there, god-sent and destined for

ep. him on whose brow the strict Elian judge,

following Harakles' ancient rule,

   places a wreath of gray olive to

bind in his hair -- leaves from the tree

   brought long ago by Amphitryon's

son from the shadowy sources of

   Ister to serve as best

emblem of games at Olympia, once his

2. words had persuaded the men of Apollo who

   live beyond VZoreas.

He made his plea in good faith, wanting a

tree for the famed grove of Zeus, as shade to be shared by the

   crowd, and as a badge of 

valiant success. His father's altars once

   hallowed, the eye of the midmonth

moon had shone full upon him from her golden

car as on Alpheos' banks he established a sacred

   judging of games and a

festival, every four years, but no splendid

trees as yet grew in that field by the Kronian Hill --

   Pelops' domain.  To him the

precinct seemed naked, enslaved to the sharp

   rays of the sun, and in that

moment his heart had urged him to go

ep. back to the Istrian land where Orthosia,

horse-driving daughter of Leto, had

   earlier met him, come from Arkadia's

ridges and glens, forced by Eurystheus

   (and by the oath of his father) to

bring back the hind whose horns were of 

   gold, the gift that Taygeta 

offered to Artemis with her inscription.

3. Chasing that doe, he'd glimpsed the land that lies

   back of the chill winds of 

Boreas and he had stood there in silence,

stunned by the trees.  A sweet longing to plant just such

   trees at the turn of his twelve-lap

course later seized him, and now he is

   glad as he visits that Elean

festival, joining the twin sons of Leda!

To them, when he went to Olympos, he left the 

   care of his glorious

contests of muscle and chariot skills.

My heart commands me say that these same horse-loving

   Tyndarids now bring

glory to Theron and to the Emmenid tribe,

   who, of all men, have most frequently

welcomed these heroes at their friendly feasts,

ep. piously keeping the rites of the Blessed.  If

water is best, gold the most honored of

   all man's possessions, so it is

Theron who reaches the outermost

   edge of success, moving from home to

Herakles' pillars! No wise man goes

   further, nor even the 

unwise.  I'll not attempt it -- I'd be a fool

Cameron Hawke Smith, from Modern Poetry in Translation 3/17: Parnassus (£9.95).

http://www.guardian.co.uk/books/2012/jul/27/theron-akragas-olympic-race-poem?INTCMP=SRCH

Pindar from  Anne Pippin Burnett, Pindar: Odes for Victorious Athletes, (JHUP, Baltimore, 2010).

That I did first kiss a Queen: Found Poetry

Being demanded what he thought of God,

             he answers that he was a good old man; 

and what of Christ,

             that he was a towardly young youth;

and of his soul,

            that it was a great bone in his body;

and what should become of his soul after he was dead,

           that if he had done well he should be put into a pleasant green meadow.

A 17th-C man on his deathbed. J. F. C. Harrison, The Common People of Great Britain.

 

Item: one cliff, one dungeon, one hell-mouth, one Dido's tomb.

 Item: eight pits, one ladder for Phaeton to ascend to heaven.
Item: two sponge-cakes and one city of Rome.
Item: one golden fleece, two gibbets, one laurel tree.
Item: one wooden vault of heaven, one head of the prophet Mahomet.
Item: three heads of Cerberus, snakes from Faustus, one lion, two lion's heads, one big horse with legs.
Item: one pair of red gloves, three kings' crowns, one scaffold for the execution of John.
Item: one pot for boiling the Jew.
Item: four sets of vestments for Herod, one green cloak for Mariamne, one jacket for Eve, one costume for the Holy Spirit and three Spanish noble's hats.

Theatrical inventory from 1598 noted by Meyerhold. 

 

It is not the black clothes that are trying to the sight

-- black is the steadiest of all colours to work at;

white and all bright colours makes the eyes water

after looking at 'em for any long time;

but of all colours scarlet,

       such as is used for regimentals, 

is the most blinding.

It seems to burn the eyeballs, and make them ache dreadful

       . . . everything seems all of a twitter

       and to keep changing its tint.

There's more military tailors blind than any others.

H. Mayhew in R. Hughes, The Fatal Shore. 

Cohen said she "took off her dress" backstage
and was about
one Gatorade-bucket slam from a full dugout pout
when somebody said to sequin up because she was about to medal

Seattle PI, Winter Olympics 2006.

I now took them to Westminster Abbey and there did show them the tombs very finely,

having one with us alone . .

and here we did see, by perticular favour,

the body of Queen Katherine of Valois,

and had her upper part of her body in my hands.

And I did kiss her mouth, 

reflecting upon it that I did kiss a Queen,

and that this was my birthday, 36 years old,

that I did first kiss a Queen.

Samuel Pepys

 

The Creation

                      by James Weldon Johnson

And God stepped out on space, 
And he looked around and said:
I'm lonely—
I'll make me a world.

And far as the eye of God could see
Darkness covered everything,
Blacker than a hundred midnights
Down in a cypress swamp.

Then God smiled,
And the light broke,
And the darkness rolled up on one side,
And the light stood shining on the other,
And God said: That's good!

Then God reached out and took the light in his hands,
And God rolled the light around in his hands
Until he made the sun;
And he set that sun a-blazing in the heavens.
And the light that was left from making the sun
God gathered it up in a shining ball
And flung it against the darkness,
Spangling the night with the moon and stars.
Then down between
The darkness and the light
He hurled the world;
And God said: That's good!

Then God himself stepped down—
And the sun was on his right hand,
And the moon was on his left;
The stars were clustered about his head,
And the earth was under his feet.
And God walked, and where he trod
His footsteps hollowed the valleys out
And bulged the mountains up.

Then he stopped and looked and saw
That the earth was hot and barren.
So God stepped over to the edge of the world
And he spat out the seven seas—
He batted his eyes, and the lightnings flashed—
He clapped his hands, and the thunders rolled—
And the waters above the earth came down,
The cooling waters came down.

Then the green grass sprouted,
And the little red flowers blossomed,
The pine tree pointed his finger to the sky,
And the oak spread out his arms,
The lakes cuddled down in the hollows of the ground,
And the rivers ran down to the sea;
And God smiled again, 
And the rainbow appeared,
And curled itself around his shoulder.

Then God raised his arm and he waved his hand
Over the sea and over the land,
And he said: Bring forth! Bring forth!
And quicker than God could drop his hand,
Fishes and fowls
And beasts and birds
Swam the rivers and the seas,
Roamed the forests and the woods,
And split the air with their wings.
And God said: That's good!

Then God walked around,
And God looked around
On all that he had made.
He looked at his sun, 
And he looked at his moon,
And he looked at his little stars;
He looked on his world
With all its living things,
And God said: I'm lonely still.

Then God sat down—
On the side of a hill where he could think;
By a deep, wide river he sat down;
With his head in his hands,
God thought and thought,
Till he thought: I'll make me a man!

Up from the bed of the river
God scooped the clay;
And by the bank of the river
He kneeled him down;
And there the great God Almighty
Who lit the sun and fixed it in the sky, 
Who flung the stars to the most far corner of the night,
Who rounded the earth in the middle of his hand;
This great God,
Like a mammy bending over her baby,
Kneeled down in the dust
Toiling over a lump of clay
Till he shaped it in is his own image;

Then into it he blew the breath of life,
And man became a living soul.
Amen.      Amen.

Song of the Unseen Bird

Song of the Unseen Bird

                       H. L. Spelman 


To walk so long with her in so much quiet
Then hear that unseen bird, whose name
I don’t know, wouldn’t know where to find,
Singing somewhere among the leaf sheen,
Was to realize why, when his beloved hero-killer
Resolves at last to die, Homer gives us
Not the laments the sea nymphs wail
But the nonsense song of their limpid names
He makes up: Limnoreia and Doto and Proto
And sometimes there are no words
And Kallianassa and Kymodoke and Maera
And sometimes no words could be sad enough.
Ashwing, Seedquit, Spotted Larmer:
Tee-way tee-wee tee-wooo you sang to us.