by Helen Macdonald
We noted the numbers. We stared
down at the boxes, at their parcel-tape handles, their doors of thin
plywood and hinges of carefully tied string. Then he knelt on the
concrete, untied a hinge on the smaller box and squinted into its
dark interior. A sudden thump of feathered shoulders and the
box shook as if someone had punched it, hard, from within. 'She's got
her hood off,' he said, and frowned. That light, leather hood was to
keep the hawk from fearful sights. Like us.
Another hinge untied.
Concentration. Infinite caution. Daylight irrigating the box.
Scratching talons, another thump. And another. Thump. The
air turned syrupy, slow, flecked with dust. The last few seconds
before a battle. And with the last bow pulled free, he reached
inside, and amidst a whirring, chaotic clatter of wings and feet and
talons and a high-pitched twittering and it's all happening at once,
the man pulls an enormous, enormous hawk out of the box and in
a strange coincidence of world and deed a great flood of sunlight
drenches us and everything is brilliance and fury. The hawk's wings,
barred and beating, the sharp fingers of her dark-tipped primaries
cutting the air, her feathers raised like the scattered quills of a
fretful porpentine. Two enormous eyes. My heart jumps sideways.
She is a conjuring trick. A reptile. A fallen angel. A griffon from
the pages of an illuminated bestiary. Something bright and distant,
like gold falling through water. A broken marionette of wings, legs
and light-splashed feathers. She is wearing jesses, and the man
holds them. For one awful, long moment she is hanging head-downward,
wings open, like a turkey in a butcher's shop, only her head is
turned right-way-up and she is seeing more than she has ever seen
before in her whole short life. Her world was an aviary no larger
than a living room. Then is was a box. But now it is this; and she
can see everything: the point-source glitter on the waves, a
diving cormorant a hundred yards out; pigment flakes under wax on the
lines of parked cars; far hills and the heather on the and miles and
miles of sky where the sun spreads on dust and water and illegible
things moving in it that are white scraps of gulls. Everything
startling and new-stamped on her entirely astonished brain.
Through all this the man was
perfectly calm. He gathered up the hawk in one practised movement,
folding her wings, anchoring her broad feathered back against his
chest, gripping her scaled yellow legs in one hand. 'Let's get that
hood back on,' he said tautly. There was concern in his face. It
was born of care. This hawk had been hatched in an incubator, had
broken from a frail bluish eggshell into a humid perspex box, and for
the first few days of her life this man had fed her with scraps of
meat held in a pair of tweezers, waiting patiently for the lumpen,
fluffy chick to notice the food and eat, her new neck wobbling with
the effort of keeping her head in the air. All at once I loved this
man, and fiercely. I grabbed the hood from the box and turned to the
hawk. Her beak was open, her hackles raised; her wild eyes were the
colour of sun on white paper, and they stared because the whole world
had fallen into them at once. One, two, three. I tucked the
hood over her head. There was a brief intimation of a thin, angular
skull under her feathers, of an alien brain fizzing and fusing with
terror. Then I drew the braces closed. We checked the ring numbers
against the form.
It was the wrong bird. This was
the younger one. The smaller one. This was not my hawk.
Helen MacDonald, H is for Hawk. 2014: 53-54.
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