Three
poems by Traci Brimhall
Family
Portrait as Lullaby
Your
father is the slow dance and I am the ballad.
Or
he's the nightclub and I am six tequila shots on the bar.
I
am the salt and lemon, too.
I
am the snake and the apple. I am the tongue that says
to
your father – Take. Eat. Do this in remembrance of me.
Your
father, the monologue in the music box
and
I, the plastic ballerina in gold shoes.
Your
father is the swaddle, the rock, the cradle.
His potbellied heart loses its socks and is learning to laugh.
You
are Mars. Your father and I are its two moons orbiting.
You,
stardust on the telescope's lens
and
the ice in the comet's tail.
Your
heart is a poppy – bright, forgetful
You
are the first mayapple of spring, unripe and rising.
And
this is the hallelujah I asked the first stardust to sing at the
quickening.
This is the dirty Eden, stalked by envious angels,
This
is the land of Isaac, and of knives.
Things
Which Will Not Appear in This Lullaby
This
cast iron cradle on an overburdened bough.
That
stone doll with a quartz heart and agates for eyes.
A
boy waving a red skirt at a girl pawing the street
in
patent leather shoes.
A
pirate ship circled by a shark that feeds on moonlight.
Mermaids
training with tridents.
Instead
I'll sing about a kelp[ forest caressing a glass-bottomed boat
or
wild ponies bathing in a starlit river.
Your
father, his sweater held open like a sling weighted with pears.
Your
father, anointing my wrist with a paper corsage.
My
love, the fourth-longest river in the world.
Someone
else's love, between the road and the woods,
Not
Job's first loss or his forty-eighth, but his wife swaddling
the
second set of sons she'd been given to replace the ones
God
had taken.
Neither
never, nor Neverland, but always and here.
Lullaby
with Almost All the Answers
The
bridesmaids in yellow silk harvesting
pears
is when. Love set you going is why.
One
third of the spirit entering me is why.
Moonlight
gentling the curtains is how.
The angel Gabriel is who. The husband is who.
The
stranger next to me on the bus who let me
warm
my hands on her thighs is who. We all
want
to be broken for each other is why.
We
all want to kiss our names from someone
else's
mouth is why. The tongue is where.
Neck is where. Collarbone, nipple, and nave
are
where. Why: winter approached and heat
was
scarce or the fourth glass of wine or old-
fashioned
loneliness. My blood on the white flesh
of
the bitten apple is what. I wanted a child
to
live long enough to call me mother is why.
From
Poetry Northwest, Winter and Spring 2015.