by Ted Hughes
Opus 131
Opus 131 in C sharp minor
Opened
the great door
In
the air, and through it
Flooded
horror. The door in the hotel room
And
the curtain at the window and even
The
plain homely daylight blocking the window
Were
in the wrong dimension
To
shut it out. The counterpoint pinned back
The
flaps of the body. Naked, faceless,
The
heart panted there, lie a fetus.
Where
was the lifeline music? What had happened
To
consolation, prayer, transcendence --
To
the selective disconnecting
Of
the pain center? Dark insects
Fought
with their instruments
Scampering
through your open body
As
if you had already left it. Beethoven
Had
broken down. You strained, listening
Maybe
for divorce to be resolved
In
the arithmetic of vibration
To
pure zero, for the wave-particles
To
pronounce on the unimportance
Of
the menopause. Beethoven
Was
trying to repair
The
huge constellations of his silence
That
flickered and glinted in the wind.
But
the notes, with their sharp vaces,
Were
already carrying you off,
Each
with a different bit, into the corners
Of
the universe.
River
Fallen from heaven, lies across
The lap of his mother, broken by world.
But water will go on
Issuing from heaven
In dumbness uttering spirit brightness
Through its broken mouth.
Scattered in a million pieces and buried
Its dry tombs will split, at a sign in the sky,
At a rending of veils.
It will rise, in a time after times,
After swallowing death and the pit
It will return stainless
For the delivery of this world
So the river is a god
Knee-deep among reeds, watching men,
Or hung by the heels down the door of a dam
It is a god, and inviolable.
Immortal. And will wash itself of all deaths.
From River: New Poems, 1983.
No comments:
Post a Comment
No Anonymous comments, please.