by
Rowan Williams
Swansea
Bay: Dylan at 100
1.
A
thumb drawn down, smearing the grey wash,
storm
pillars float over a December morning,
the
sun still tipping rocks with liquid
out
at the headland. In the bay swells urge
this
way and that; a dark patch swings
out
from the sea wall, pushes the pushing current
sideways,
the lanes of water tilting by inches
under
the lurid morning, heaving this way and that
beneath
the mottled skin and pinching it into the long
blade
of a wave, the knife under the cloth
ready
to slice. Watching, you have no notion
how
it all runs, the hidden weights swinging
and
striking, passing their messages, hidden
as
the pulses under the scalp, behind the eyes,
that
sometimes pinch themselves into a sharp
fold,
into an edge, as if the buried cranial dances
gathered
themselves to cut, for a moment, at
the
skull's dry case and break through in white curls.
2.
I
sang in my chains. I listened for the pushing swell
of
light in the country yards, the undertow
of
bliss that still cuts at the cloth, at the bone,
at
all the tired shrouds. I listened
for
the tide retreating and the small lick and splash
of
breeze on the trickles between corrugated sand,
for
the silent footfall of pacing birds, processing
to
their office. Beyond the bay, the infant-bearing sea
slips
further off, the next room is quiet and the sun
whispers
hoarsely. When I call in my dream for it,
my
voice is small and the knife strains bluntly
at
the knotted cloth. Watching the swell again
at
whispering liquid sunrise, I have no answer
when
I wonder how the world's sand runs
out
of grace and the dark moods of the water
jostle
each other; I cannot tell if they will gather
ever
again, severing the milky web that holds me
mortally.
Do not go. Now as I was
From Rowan Williams, The Other Mountain.
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