by Megan
Snyder-Camp
NARRATIVE DISTANCE
In two days the
rat swam 400 meters
to the other
island, also empty, in search of another rat. The scientists
who had been
following the rat
grew desperate as
the weeks passed
and the peanut
butter went stale.
No song from the
radio collar.
Their wives wanted
a vacation.
It was summer; the
bee-bitten lilacs
turn in, some
as-yet-unnamed tree
parted a soft slab
of rock. They sent another rat out.
And another.
SEASON
The oranges were
the first to arrive,
bobbing along the
coast like subtitles.
Everything seemed
ot carry another name.
Look at me, our
mother said. Our lunch
a sacrifice, our
hair a knotted map.
The youngest of us
watched
his orange peel
float out in the lake. The oldest
kept a tally of
every shadow
creeping from barn
to tree. Each seam,
each bud called
out. From the earth
or the sea the
next saint would rise.
The middle child
carried with her
a scrap of
wallpaper from the old dollhouse
and held it up
against the shifting sky.
WAKE
The casseroles
just showed up.
According to her
sister a symbolic casting
of the feminine,
not gender but physics, dear --
according to a
friend she looked
just like her
sister, green bathrobe mid-afternoon,
suitcase still in
the trunk.
She'd carried him
dead for days.
Out above the
reeds a sphere of birds
stretches and
knots, rises as one
brown then
belly-white. Oh the hunger
when it came
filled every chair.
From The Forest
of Sure Things, Poems by Megan Snyder-Camp (2010).
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